Tom Peck
click on any image for details
Woman In A Yellow Dress
oil, newspaper, on canvas, 40 x 30 inches, $3500
Woman In Striped Skirt
oil on canvas, 40 x 30 inches, $3200
Raku Thorned Bowl
fired, glazed clay, 11 x 7 inches, $195
Green Thorned Bowl
fired, glazed clay, 10 x 7 inches, $275
Black Thorned Bowl
fired, glazed clay, 11 x 7 inches, sold
Vineyard Stream
oil on canvas, 36 x 36 inches , $3100
Striated Vessel
fired ceramic clay, 25 inches tall, $350
Dancers
fired, glazed clay, 25 inches high, $1400
Black Brown Man
fired, glazed clay, 24 inches high, sold
Effigy Couple
fired, glazed clay, 25 inches high, $1400
White Headed Man
fired, glazed clay, 24 inches high, sold
Conspiracy
fired, glazed clay, 25 inches high, $1400
Shaman
fired, glazed clay, 20 inches high, sold
Big Sur #3
oil on canvas, 36 x 36 inches, $3100
Big Sur #4
oil on canvas, 36 x 36 inches, $3100
California Pacific #5
oil on canvas, 36 x 48 inches, $3400
California Pacific #3
oil on canvas, 30 x 40 inches, $2800
Henri Matisse
oil, newspaper on canvas, 40 x 30 inches, $3400
Salinas River
oil on canvas, 36 x 48 inches, $2900
Nubby Head
fired, glazed clay, life size, $750
Lost In Thought
fired, glazed clay, 6 x 20 inches, $1200
Jack Kerouac
oil on canvas, 40 x 30 inches, $2800
Effigy Couple
fired, glazed clay, 25 inches high, $750
Cy Twombly's Best Friend
oil on canvas, 20 x 16 inches, $1200
California Pacific
oil on canvas, 30 x 40 inches, $2800
Big Sur #5
oil on canvas, 48 x 48 inches, $3600
About the artist...
After receiving my BFA from the Art Center College of Design in Los Angeles, I entered a career as an advertising Art Director and Creative Director in Toronto, New York and San Francisco. After 30 award winning years, I left that madness and focused, full time, on painting and sculpture. In painting I admire artists who are not afraid to take risks. I approach every painting with this attitude. I work, whether it’s landscape or figurative, to express the essence of something that is meaningful to me. And execute it in a fresh and interesting way. In sculpture, it’s all about shapes. I admire the simplicity, honesty and strength of primitive work. I like to work in gestures and suggestions rather than details, again finding the simplest expression of something that intrigues me. But, in either medium, it’s taking the risk of not knowing exactly how I’m going to succeed, using this scary executional philosophy, that I find exciting.
Visit artist's website - www.premeditatedart.com